Thursday, 16 April 2015

Help with copyright for creators, media professionals, entrepreneurs, and students

A spring clean at home surfaced an article on 'copyright user' from some time ago, which I ripped out of a magazine.  I have been meaning to share it, so here it is with a couple of related websites.  There are also a range of books available on the topic in the library. 

http://copyrightuser.org/

“CopyrightUser.org is an online resource aimed at making UK copyright law accessible to creators, media professionals, entrepreneurs, students, and members of the public.”

http://www.copyrighthub.co.uk/

"...help if you want to get permission to use somebody else's work, or want to know about how copyright relates to your own work."

Copyright Guide for University Students (JISC Legal - 31 December 2014)

"...sets out to answer questions that university students may have about copyright.  It is intended as a document staff can provide to students to inform them about the basics of copyright enabling them to protect their own work and to use other people’s materials lawfully."
NB: JISC legal has now closed, so this guide won't be updated.  


Other resources

Morrison, C. (2015).  Copyright the Card Game.  Available from Jorum: http://find.jorum.ac.uk/resources/19369

Thursday, 24 April 2014

Open Access Policy for the university

If you are publishing in journals this will be of interest...

The university has a new Open Access Policy.  In essence this states that, "The university supports the principle of making publically funded and peer‐reviewed research available via open access."  This reflects HEFCE's policy of making open access a requirement for submission to the next Research Excellence Framework - for journal articles.  You can read more about HEFCE's stance here, along with details about the work they are doing in relation to monographs.

Open Access can either be through the 'gold' or 'green' routes:

Gold - is where the research is made available through publishing with an open access journal OR through paying a subscription-based journal to publish the article available on an open-access basis.  (Limited funds are available to pay the Article Processing Charge (APC) if that applies to the journal you are submitting to.  See the link below for the application form.)

Green - is where the research is made available via a repository (e.g. WestminsterResearch), where this is allowed by the journal that has accepted your work.  In this model the publisher sometimes imposes an embargo (i.e. you have to wait for a period before you have the right to include your research on WestminsterResearch), but some journals do allow immediate inclusion on an institutional respository.

More information is available about how this will work at Westminster on the WestminsterResearch pages (use the links in the grey sub-menu to navigate).  You should look particularly at the 'Information for our authors and open access policy' section, which gives links to two useful resources - SHERPA/JULIET and SHERPA/ROMEO.

These resources have been around for an age and give you a quick reference to what the policies of funders are in relation to open access (SHERPA/JULIET) and what the policies of individual journals are (SHERPA/ROMEO).  SHERPA/ROMEO will show what a journals policies are in relation to:
  • paid open access
  • the deposit to an institutional repository of: author's pre-prints (i.e. pre-refereed and not compliant with the HEFCE policy), author's post-prints (as published minus publisher formatting), and the publisher version/PDF. 

This new policy will give impetus to the use of WestminsterResearch as not just a record of published work, but as a repository of it; and in many cases you will already have the right to deposit the full-text of articles you have authored onto WestminsterResearch.

If you would like to discuss any of this with me, please get in touch.  I have been briefed, and I am also attending an update session next week where I could raise any issues that you wish to raise.

Further Reading

See my post on Open Access Search Tools

Open access - search tools

With the change in policy from HEFCE in relation to the REF, it looks like there is some impetus for these long-standing initiatives below to come into their own.  Most useful in this list, which I collated a couple of years ago, are CORE, DOAB, DOAJ, EThOS, OAIster, and PQDT Open.

CORE - an aggregated search of UK repositories (it's like Google Scholar for UK research repositories).  Further information.

DART-Europe - research theses from a consortium of European research libraries

DOAB - Directory of Open Access Books

DOAJ - Directory of Open Access Journals

EThOS [Electronic Theses Online Service from the British Library.  Selected items available for download after registration]

OAPEN [Open Access Publishing in European Networks] is a collaborative initiative to develop and implement a sustainable Open Access publication model for academic books in the Humanities and Social Sciences.

OAIster - a union catalogue of open access resources, provided by OCLC/Worldcat.  Further information

OpenDOAR Search - search contents of open access repositories listed on OpenDOAR [Directory of Open Access Repositories]

OpenDepot Search - search of e-prints from researchers at institutions that do not have an institutional repository

PQDT Open [Proquest Dissertations and Theses Open] - provides the full text of open access dissertations and theses available on the Proquest platform

ROAR Search - search contents of repositories listed on ROAR [Registry of Open Access Repositories]

SHERPA Search - search UK repositories listed on OpenDOAR [Directory of Open Access Repositories]

Thursday, 10 April 2014

Useful libraries and bookshops in London

I haven't shared this Google Map for a while, so here it is again.... There are a few updates in the Shoreditch area (where else?). There will be a few more updates soon I think, once I get hold of a copy of The Eyes (as the new edition is a special on London). Please share anything I have overlooked.


View Useful London Libraries & Bookshops - Photography and Film in a larger map

Too busy being busy


'Email has meant we just generate that hamster wheel of communications. We spend our days answering messages, batting things forwards and backwards; we have forgotten that that's not everything about work - that's just a part of work. When is the time you actually stop and think creatively; [when] you start to think about how we could do things differently: "how could I innovate the thing that I am doing here?" We don't do that because we are too busy being busy! '

More of this on the video below...

Thursday, 3 April 2014

EThOS [Electronic Theses Online Service]




Those groovy people at the BL have produced this video about the 'Ethos' service.  Search the collection now: http://ethos.bl.uk/

It’s a free research tool which gives access to much of the UK’s doctoral research. Search over 350,000 theses covering every subject area, and download over 100,000 straight away.

• Search and read theses on your topic;
• Find examples of how to structure and approach your thesis;
• Research the work of specific institutions or academics.

Thursday, 27 March 2014

Breadth, depth, digital, print

This is a blog.  I am not an academic.  Inevitably, any of the very few interpretative elements here are going to be under-researched; probably unoriginal; frequently banal; sometimes plagiarised or poorly referenced and possibly wrong.  Individual posts are liable to be changed without notice - I may delete controversial statements written in haste or even add them.  Don't judge this by the standards that you apply to a journal article or an academic book.  If, by chance, I write something you think is interesting, don't use it without referencing me, but look first to see if someone with more authority has said it first, and said it better.  As sure as eggs is eggs, it will be out there...  and it will be a better reference.

Google can get you so far, but not very far.  How far would you get researching an essay on "Walid Raad" using Google?  About as far as Wikipedia, and thousands of snippets of fact and opinion, with some analysis which you may or may not be able to evaluate.  The in-depth analysis is more likely to be found in academic sources.

Today's research environment is confusing.  You think its easy because there is so much information available, and it is keyword searchable, but information is not the same thing as analysis, nor is it the same thing as knowledge.  Two hundred thousand web-pages have quoted these lines from T. S. Eliot:
Where is the wisdom we have lost in knowledge?
Where is the knowledge we have lost in information?
It must be true!

The digital environment is fantastic for pinpointing specific information.  So, if you have a reasonably distinctive term, Google can home in on it like an army of scud missiles.  It facilitates a particular type of research using keywords to search academic as well as non-academic sources.  You can trace the frequency of the word 'materiality' in books over 200 years, track down 3500 books which mention "Walid Raad," or wonder why there are so few journal articles that name-check this artist listed on Google Scholar.  It would be fairly tedious, but perfectly possible to curate rather than write an essay, using all this data: "Raad's work undermines the conventions of logical procedure and testament and makes use of our expectation of factual accuracy" etc etc.

I'm not knocking it. If you know what you're doing, you can construct a good list of references this way.  It is research on speed.

A few reservations, though.  What do you do if you are not researching a proper noun, when concepts are less easy to define or separate from other, everyday language?  What do you do if you are researching the idea of the 'family album' and Google starts to fail you?. And what are you overlooking, when you are skimming, scanning and - to use Katherine Hayles term - "Hyper reading"? Might you have got further in your understanding if you gone straight to a recent exhibition catalogue and read a few of the contextual essays?  Did the articles in the peer-reviewed journal Third Text appear in your searches?  Do you understand the difference between keywords and subject terms? (see here).

And what are you doing to your mind if you don't read full works and don't follow the logic of an argument from start to finish?  What if you can't assess the quality of a source, its perspective, or the credibility of individual arguments, because it is presented to you in a stream of Internet pages?.   What if you think a blogger has the same status as academic research? And what about all those sources that are full of wisdom that are not specifically related to your search terms???  What if you can't recall anything you've read from the mash-up of Internet sources?  What if the closest you have come to reading any key text is a a summary in a textbook such as Fifty Key texts in art history or worse a gloss of it on Spark Notes.

Digital culture is oriented towards information and the database; it is about harnessing vast quantities of data.  It is about speed.  There is a flattening out of traditional hierarchies.  It is less focussed on longer forms of analysis and discussion, and of authority, selection, and discrimination; and despite its breadth, what you tend to get is the specific.  It pushes you towards less but more focussed reading, less analysis, and more citation.  One can see the development of a kind of scavenger scholarship with more reliance on using breadth of references as 'evidence' rather than relying on strength of argument and analysis.  Even within the journals within library and information science I read articles that go something like this: “There is increasing evidence that Giraffes are lovely (Snavely, 2012, Smith 1999, Enfield, 2002, Zimbardo 2013, Paltrow, 2014)”).  Am I supposed to read and assess the evidence in these references?  Or are we to suppose that because a reference is in a peer reviewed journal, of whatever quality, it must be true?.  I am sick of articles with as many references as a PhD!.  Digital culture encourages people to cut and paste in preference to thinking; it encourages a combination of tunnel vision, and chaotic distraction. Social media just adds to the problem!

I know.  Its not all bad.  If you know what you're doing.  But, as argued by Hayles, Brabazon, Carr and others there needs to be a counterbalance - an appreciation of the different cultures of reading; one based in the traditions of print - slow, in depth, analytical - and one based in the digital world.  They are not mutually exclusive - you can have print culture online, and online culture in print.  We must live with both.  There is a need to encourage depth of understanding.  I see us like acrobats on a high-wire, stretched between the two cultures - print and digital. To situate yourself in either one is a mistake.

Further reading

Brabazon, T. (2013).  Digital dieting; from information obesity to intellectual fitness.  Ashgate

Carr, N. G. (2011).  The shallows; how the Internet is changing the way we think and remember.  Atlantic Books.

Hayles, K. (2012).  How we think; digital media and contemporary technogenesis. The University of Chicago Press.

Mann, T. (2001). The importance of books, free access, and libraries as places—and the dangerous inadequacy of the information science paradigm. The Journal of Academic Librarianship, 27(4), 268-281. doi:http://dx.doi.org/10.1016/S0099-1333(01)00214-2

Muir, L. J. and Hawes, G., 2013.  The Case for E-book Literacy: Undergraduate Students' Experience with E-Books for Course Work. Journal of Academic Librarianship 39 (2013), pp. 260-274 DOI 10.1016/j.acalib.2013.01.002

Staiger, J. (2012).  How E-books are used; a literature review of the E-book studies conducted from 2006 to 2011.  Reference & User Services Quarterly, 51 (4).  American Library Association. doi:     http://dx.doi.org/10.5860/rusq.51n4.355

Thursday, 13 March 2014

Reduce your file size for Blackboard / Turnitin

Issues can occur when students try to upload large essays/files to Bb and Turnitin.

Here are some guides to help reduce file size: 

Reducing the file size in Word & PowerPoint (converting to PDF)

Reducing file size in PowerPoint

Reducing file size in Word

Thursday, 16 January 2014

BL releases over 1 million images onto Flickr Commons

The British Library have released over a million images onto Flickr Commons for anyone to use, remix or repurpose.  More information here.

Thursday, 28 November 2013

Am I bovered, though?

There have been a few rumours flying around that Thomson Reuters, who own the well-known database 'Web of Knowledge,' were going to withdraw the contents of their database from Primo Central - known to you and I as the 'Articles & more' quick search in Library Search - and other aggregator services such as Summon and Ebsco.

Without trying to denigrate Web of Knowledge at all, my response to this was "Do I look bovered?"  The fact is that most (if not all) the content would still be included from other sources (Elsevier, JSTOR, etc), so it would make little difference. 

In any case, for most of the subjects I support, the existing 'Articles & more' (with or without Web of Knowledge) is of dubious benefit, and I prefer to direct students either to an alternative aggregator (namely Google Scholar) or (and this is my preference) to good quality specialist databases - namely Proquest Art databases, JSTOR, or Art Full Text, or FIAF International Index to Film Periodicals.

The reason for Thomson Reuter's apparent hesitancy with regard to aggregated search was said to be that they wanted users to use their interface as their primary search environment for authoritative search.  And I can see why.  Web of Knowledge is unique amongst multidisciplinary databases in that their principal feature is how few, rather than how many journals it indexes.  They pride themselves on quality, and exclusivity.  In the sciences in particular, this is a great advantage, making this a leading databases in science - and in particular for systematic reviews.

Within the arts and humanities, Web of Knowledge, is used much less frequently, despite there being a specific index for arts & humanities (the Arts & Humanities Citation Index).  This currently indexes only 82 art journals (I think only three of these are specific to photography) and only 33 journals in the areas of film, radio and TV.  So, quite limited;  however, as these are reckoned to be  the most influential journals in the relevant field (by the panel appointed by Web of Science to decide these things) it is worth looking to see which are the chosen journals.

Subsequent to the rumours, Web of Science has issued a statement confirming that they are in fact not withdrawing their records from Primo Central.  They have also announced that they will be collaborating with Google Scholar to provide seamless movement to and from Web of Knowledge, which will be interesting (and might help revitalise both).  This is a neat collaboration given that an early article setting out the principles of Google’s algorithm back in 1998, cited Eugene Garfield - founder of ISI, who originally developed Web of Knowledge.

Web of Knowledge will also be launching a new interface early next year, which should make searching their current - rather difficult - interface easier.  I look forward to it.


Web of Knowledge
Search Web of ScienceSM
   
Copyright 2010 Thomson Reuters   



Thursday, 21 November 2013

Pictorial works - subject headings

This is a little tip for you.  The standard subject heading used by libraries for books of pictures is "pictorial works."  This seems logical enough; however, few people would use this as a search term when looking for photography, and would therefore miss out on some books.

If you are looking for books with photographs of Britain, try searching for "pictorial works" AND Britain (as well as the more intuitive photography AND Britain).  It is important to do this, as the catalogue record for books of photographs sometimes do not refer to 'photographs' or 'photography' at all but do use the term "pictorial works"!

As an example, compare the results for these two searches (I have used the subject field in advanced search for these examples):

petroleum AND photography

petroleum AND pictorial works

The first 'obvious' query retrieves two results; but the second less obvious query retrieves two additional results.

You could argue that this is just poor cataloguing; and you might be right.  Certainly, Edward Burtynsky's monumental book, Oil, ought to include additional subject headings, including ones related to photography.  (You can see a fuller record on COPAC here). However, the broader point is that in order to search catalogues effectively, it helps to understand the language that they use to describe resources - particularly in the subject fields.  

After all, it is not only 'pictorial works' which is a non-intuitive term, but also 'petroleum.'  Search for oil AND photography or oil AND pictorial works and your results are even more unsatisfactory.

Enjoyment is our duty

I've recently watched Slavoj Zizek's new film, The Pevert's Guide to Ideology, which has just come into the library.  Like it's predecessor, The Pervert's Guide to Cinema, this is a cinematic thesis which draws from Zizek's writing, and uses films as points of illustration and analysis. Although I sometimes felt his argument jumped around a bit, and I was left wondering how some of the points he was making linked together, it was a hugely entertaining and thought-provoking film.

There were some great clips used as illustration, drawn from an eclectic mix of films, which I have listed below.  Where they are available on our TV archive, Box of Broadcasts, I have also provided links, so that, if we want, we can revisit the whole film.

A press release for the film is available in the contact section of the film's website: http://www.thepervertsguide.com/ideology/


They Live (1988) / John Carpenter

A Clockwork Orange (1971) / Stanley Kubrick

West Side Story (1961) / Robert Wise & Jerome Robbins [ON DVD]

Taxi Driver (1976) / Martin Scorsese

The Searchers (1956) / John Ford

Jaws (1975) / Steven Spielberg

Triumph of the Will (1935) / Leni Riefenstahl [ON DVD]

The Eternal Jew (1940) / Fritz Hippler

Cabaret (1972) / Bob Fosse

I Am Legend (2007) / Francis Lawrence

Titanic (1997) / James Cameron

The Fall of Berlin (1950) / Mikhail Chiareli

Full Metal Jacket (1987) / Stanley Kubrick

Mash (1970) / Robert Altman

If (1968) / Lindsay Anderson

The Dark Knight (2008) / Christopher Nolan [ON DVD]

The Loves of a Blonde (1965) / Milos Forman

The Fireman’s Ball (1967) / Milos Forman [ON DVD]

Brief Encounter (1945) / David Lean

Brazil (1985) / Terry Gilliam

The Last Temptation of Christ (1988) / Martin Scorsese [ON DVD]

Seconds (1966) / John Frankenheimer

Zabriskie Point (1970) / Michelangelo Antonioni [VIDEOTAPE]

Thursday, 7 November 2013

Screen Resources

London Screen Archive
A significant upgrade to the LSA online catalogue is underway.  You will be able to access this from their website: http://www.londonsscreenarchives.org.uk/

BFI Player Launched
The BFI Player provides a mix of free and pay-per-view content.  UK audiences can watch contemporary and archive films in the comfort of their own home.  Watch now at: http://player.bfi.org.uk/

Other On Demand services
One of the films you can watch on the BFI player is 'The Selfish Giant' by Arbor director/writer Clio Barnard.   If you go to The Selfish Giant website, you will see a number of other On Demand sites to choose from: Curzon Home Cinema; BT; Virgin Media; EE; Film Four; Blinkbox [from Tesco]; Sky Store; Google Play; and Volta.

Thursday, 24 October 2013

What should replace Daylight?


The magazine ‘Daylight’ looks like it has ceased publication, and so there is an opportunity for us to put our subscription money (£46.57) into another publication.

What to buy?

The possible choices, as I see it, are Blind Spot ($65), or Blow (Euros 45) (both nominated for a Lucie Award this year), and Kilamanjaro (£30) or Colors ($75).  The latter two have been requested by academic in the staff in the past and I think I am veering towards Kilamanjaro.

Eyemazing is also a possibility.   However, having published for a decade, it now seems unclear whether this magazine is going to continue.  I can find no subscription information online, and the old website now links to the Thames and Hudson page for the new retrospective book.  The cost is also likely to be about double what Daylight cost, as the figure I have seen quoted is £85.

If you would like to express a preference, please email me asap.

Brief descriptions of the contenders, as I see it, are below:

Blind Spot
Blind Spot is a semi-annual art journal that publishes unseen work by living photographers. In Blind Spot, images are given primacy and published collaboratively rather than curatorially, unaccompanied by introductory, biographical or explanatory text. Blind Spot is not about photography, our content is photography.  Nominated this year for a Lucie award
http://www.blindspot.com/about/

Blow
Currently blocked by the University servers. This is an A3 magazine, published quarterly in Ireland. Nominated this year for a Lucie award.
http://www.blowphotomagazine.com/

Kilimanjaro
Kilimanjaro Magazine is a vibrant printed space, dedicated to visual culture and editorial experimentation.  Reviewed postively in Vogue, Esquire, Creative Review, etc
http://kilimag.com/about/

COLORS
COLORS was originally conceived as a nomadic magazine that would wander the world. After being founded in New York, it moved to Rome, then Paris, before moving to Fabrica, Benetton's Communication Research Center in Treviso, northern Italy in 1997.
http://www.colorsmagazine.com/about/

Eyemazing
Winner of the Lucie award in 2008, and runner up in 2011, Eyemazing is, "a unique moving gallery dedicated to international contemporary photography."

A comprehensive list of photography magazines that I know
(the highlighted ones are the ones we subscribe to)

8 Magazine - ceased
Ag -ceased?
Blow - 45 euros
CPhoto - $86, 2 vols. per year  
European Photography* [available online via Library Search]
Exit - 100 euros, 4 issues
F
FLIP [London Independent Photography]
Foam
Portfolio - ceased


Changes to magazines in the last few years
Portfolio Magazine ceased publication in 2010 (after twenty two years)
8 Magazine ceased publication in 2011 (after ten years)
British Journal of Photography became monthly in 2010
FOAM Magazine added to the collection in 2012
Photoworks moved from bi-annual publication to annual in 2012


Thursday, 8 August 2013

MENDELEY - AN ALTERNATIVE TO ENDNOTE, REFWORKS, ETC

Mendeley is a relatively new reference manager and research tool, which has done much to introduce a social network element to reference management.  It was in the educational/tech press earlier in the year when Elsevier (the publishing giant) bought the company for a reported £45-£60 million (see the report in Wired for example).

A colleague has been offering introductions to this, and you can see his slides below.



Or here is another set of slides from a librarian in Singapore:


Thursday, 1 August 2013

Film theory - the most borrowed books

Back in April, I did some research to determine which were the most borrowed books in the area of Photography theory.  You can see the results here.

I thought it was about time to redo the exercise - this time focussing on film.  So, here is the list - the ten most borrowed books in film... (in the past three years).

The list starts with the most borrowed item first this time.  You can also take a look at the books on Library Search in A-Z order.

Bordwell, D. Film art; an introduction [various editions]. McGraw-Hill.

Braudy, L. and Cohen, M. (eds.). Film theory and criticism; introductory readings [various editions]. Oxford University Press.

Cook, P. The cinema Book [various editions].  BFI.

Bordwell, D. (1986). Narration in fiction film. Routledge.

Andrejevic, M. (2004).  Reality TV: the work of being of being watched.  Rowman & Littlefield.

Metz, C. (1982). Psychoanalysis and cinema; the imaginary signifier.  Macmillan.

Chion, M. (1994). Audio-vision: sound on screen. Columbia University Press.

Mill, B. (2005). Television sitcom. BFI.

Mcabe, J. and Akass, K. (2007). Quality TV; contemporary American television and beyond. I. B. Tauris.

Rees, A. L. A history of experimental film and video; from the canonical avant-garde to contemporary British practice [two editions].  BFI.

Thursday, 13 June 2013

Learn to use Refworks in 20 minutes




RefWorks is a bibliographic management tool.  In other words, you can use it  to gather, store and manage your references, and to automatically generate a list of references/bibliography.

Many online catalogues and databases allow you to push records straight into Refworks.  You can do this in Library Search from within the e-shelf.  You can then create a list of references in a range of different referencing formats with a few clicks...

The lists generated are not perfect - they will contain errors that you need to correct - but they provide a good starting point.

If you are interested in finding out more, check out the 'Learn to use Refworks in 20 minutes' video playlist on the Refworks YouTube Channel.

If Refworks seems like too much trouble, have a look at EasyBib.  As well as the website, EasyBib have produced apps for IPhone, Android and Google mobiles, which will generate a reference when you scan in the barcode of a book.


Resources

EasyBib

Learn to use Refworks in 20 minutes [video playlist]

Refworks and Endnote [University of Westminster page]

Refworks - Help

Refworks YouTube Channel




Thursday, 6 June 2013

Skills training in relation to conceptions of knowledge and learning

"Metacognitive awareness and control,"  versus "quantitative accretion of discrete rightness."

Graham Gibbs writes interestingly about the usefulness or otherwise of study skills training in an short article in the last week's issue of THES: see here.

Students, "rarely use the methods they read about in how-to-study books or are taught on study skills courses" he asserts.  This is for a number of reasons he suggests (without expanding on this), but most importantly because:
"the skills may be too rigid to span the range of demands that students actually face."  
In any case, he argues, there is little evidence that the acquisition of study skills improves performance - with one exception: time management.

He suggests two things mark out effective students, in contrast to those who are "bewildered" or "unsophisticated".  These, he says,  are:
 "not about “skills” at all but about understanding.” 

Firstly, effective students are reflective and adapt their behaviours to different demands:
"Effective students can tell you all about how they go about their task, have a sensible rationale for doing so and change what they do when they notice that the context or task demands are different." 
In the educational literature, he tells us, this is known as "metacognitive awareness and control."

Secondly, effective students:
"understand the nature of knowledge and what they are supposed to do with it." 
This is in contrast to less effective students who try to spot the right answers in lectures, and memorise them - a method, described in the literature as, "quantitative accretion of discrete rightness."

Food for thought.

Further reading

Teaching intelligence - It is possible to avoid the negative mass effects

Teaching intelligence: Contact hours and student engagement

Raising awareness of best-practice pedagogy

Thursday, 23 May 2013

How to decide what to read?

A lot of what librarians teach about information skills are the techniques of searching, rather than the sort of thinking that needs to happen.

I've been thinking a lot about this because so often the techniques of searching, while useful, are not enough to answer many of the questions that students pose: what is needed is thinking.

I was reminded of this recently when reading a book in the Palgrave Study Skills series, How to use your reading in your essays, for preparation for a teaching session.  This is a short book which tells you all about how to write with sources.

Early on in the book, there is a section entitled, 'How to decide what to read?' which gives the following five steps:

Step 1. Think: what question do you want to answer?
Step 2. Think: what ideas of your own do you already have?
Step 3. Think: what types of source will you need?
Step 4. Do a first search
Step 5. Think: sort and select your sources for detailed reading
That is a lot of thinking!

Could it be that searching is the part of the iceberg above the water line that should be supported by the thinking going on beneath?

In our search-engine oriented world, searching is often done without thinking.   It is not something that is just affliciting the young, but is pervasive.  As soon as a question is forming in our minds it is already being expressed in our fingers, and before it is fully expressed in our fingers, Google is giving us answers - of a sort. This is fine if our question is, 'Where can I get a pizza in Harrow?', but for more complex questions, this approach can often lead us into trouble.  It is easy to get lost in a sea of information, with little idea of what it was we were trying to find out in the first place.

A few quotations illustrate the point:

Any idiot can type a search term into an internet search engine, and many idiots do.  The typical internet query is about 2.4 words long and has about a 14 per cent chance of failing because it contains a mis-spelling.
Rugg and Petre (2007: 48)
It is easy to produce dreadful assignments by using a search engine to do a quick, undiscriminating trawl. Searching for a few words from your assignment task, copying from websites you come across and then pasting together disconnected bits and pieces to present as your assignment will get you a very low grade.

Northedge and Chambers (2008: 271) 
There was a time when the word “research” meant “critical and exhaustive research or experimentation having as its aim the discovery of new facts or interpretations" (Webster’s Third New International Dictionary 1976). Research today often means little more than locating random snippets using a search engine.
Gorman (2012: 114)
Research is at least 80% about forming questions, reflecting on what you know already, understanding the sources that might extend your knowledge, and thinking about and selecting the material you find.  Less than 20% is about doing the search.  That is the easy bit!  Or at least it is easy when you have a good idea of what you are looking for.

Further reading

Godfrey, J. (2009).  How to use your reading in your essays.  Palgrave Macmillan.

Gorman, M. (2012). The prince’s dream: a future for academic libraries, The New Review of Academic Librarianship, 18(2), 114

Northedge, A. and Chambers, E. (2008). The arts good study guide, 2nd ed. The Open University Press.

Rugg, G. and Petre, M. (2007).  A gentle guide to research methods.  Open University Press.

Thursday, 2 May 2013

The Content Map - new website


A new website has been produced to help UK consumers identify sources of legal downloads, and streaming services.  Developed by the Alliance for Intellectual Property (note the URL), The Content Map acts as a good survey of key sites such as Amazon, Apple, BBC, ITV, etc.  It also includes some you may not have come across such as Curzon On Demand and Dogwoof.tv.

Once the money available for the website had been spent, I don't think much was left for promotion, so please share!

On a related note I was reminded recently of the BUFVC's Moving Image Gateway, which is an excellent compendium of websites related to moving image and sound material.